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The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us: Four Guilty Men and the Stories That Define Us
The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us: Four Guilty Men and the Stories That Define Us
John J Lennon
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Product Info
Product Info
ISBN: 9781250858245
Publisher: Celadon Books
Publication Date: 9/23/25
Binding: Hardcover
Age Range: -
Grade Range: NA-NA
Series: ,
Pages:
Language: English
BISAC: True Crime, Murder, General, Biography & Autobiography, Memoirs, Social Science, and Penology
Related Subjects: Murderers, Biographies, True crime stories, Prisoners, and United States
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Description
A New York Times Notable Book of 2025 * An NPR Best Book of the Year * A Kirkus Best of 2025
In 2001, John J. Lennon killed a man on a Brooklyn Street. Now he's a journalist, working from behind bars, trying to make sense of it all. The Tragedy of True Crime is a first-person journalistic account of the lives of four men who have killed, written by a man who has killed. Lennon entered the New York prison system with a sentence of 28 years to life but after he stepped into a writing workshop at Attica Correctional Facility, his whole life changed. Reporting from the cell block and the prison yard, Lennon challenges our obsession with true crime by telling the full life stories of men now serving time for the lives they took. These men have completely different backgrounds -- Robert Chambers, a preppy Manhattanite turned true crime celebrity; Milton E. Jones, a seventeen-year-old coaxed from burglary into something far darker; and Michael Shane Hale, a gay man caught in a crime of passion -- and all are searching to find meaning and redemption behind bars. Lennon's reporting is intertwined with his own story, from a young man seduced by the infamous gangster culture of New York City to a celebrated prison journalist. The same desire echoes throughout the lives of these four men: to become more than murderers. A first-of-its-kind book of immersive prison journalism, The Tragedy of True Crime poses fundamental questions about the stories we tell and who gets to tell them. What essential truth do we lose when we don't consider all that comes before an act of unthinkable violence? And what happens to the convicted after the cell gate locks?